Artists Mark Bradford

    Rat Catcher of Hamelin III, 2011
    Mixed media on canvas
    305 x 320 cm. (120 x 126 in.)

    Rat Catcher of Hamelin II, 2011
    Mixed media on canvas
    305 x 320 cm. (120 x 126 in.)

Mark Bradford (born 1961, Los Angeles, CA) continues to live in LA where the social and physical geography of the city influence both the subject and form of his practice. He is best known for his large scale, Modernist Abstraction paintings that merge high art with imagery from popular culture. Elephant hide like to the touch, Bradford's collages are constituted of many layers of paper, paint, rope and thick glue, akin to the fly posted advertisements pasted around urban streets.

Bradford's practice further extends through public sculpture, installation and video works. He is also a founder of Art + Practice, a foundation established to encourage education and culture by providing support services to young foster youth predominantly living in South Los Angeles.

Bradford is a recipient of the Whitney Museum's Bucksbaum Award and was a 2009 MacArthur Fellow.

Solo Exhibitions

Baltimore Museum of Art, Baltimore MD

Hirshhorn Museum and Sculpture Garden, Washington: ‘Mark Bradford: Pickett’s Charge’
La Biennale di Venezia, US Pavilion, Venice: ‘Mark Bradford: Tomorrow Is Another Day’
Museum of Fine Arts Boston, ‘Darkness Made Visible: Derek Jarman and Mark Bradford’
Denver Art Museum and Clyfford Still Museum, ‘Shade: Clyfford Still/ Mark Bradford’

Contemporary Art Museum, St. Louis: ‘Mark Bradford’
Hirshhorn Museum and Sculpture Garden, Washington D.C.: ‘Mark Bradford’

The Rockbund Art Museum, Shanghai: ‘Tears of a Tree’
Gemeentemuseum den Haag, The Hague, Netherlands: ‘Mark Bradford: Sea Monsters’
Hammer Museum, Los Angeles: ‘Scorched Earth’
Wadsworth Atheneum Museum, Hartford: ‘Mark Bradford / MATRIX 172’

The Rose Art Museum, Brandeis University, Waltham: ‘Mark Bradford: Sea Monsters’

San Francisco Museum of Modern Art, San Francisco: ‘Mark Bradford’

Dallas Museum of Art, Dallas: ‘Mark Bradford’

Institute of Contemporary Art, Boston: ‘Mark Bradford’
Aspen Art Museum, Aspen: ‘Merchant Posters’

Cincinnati Art Museum, Cincinnati: ‘Maps and Manifests: New work by Mark Bradford’

Whitney Museum of American Art, New York: ‘Neither New nor Correct: New Work by Mark Bradford’

LAXART, Los Angeles: ‘Niagra’

Whitney Museum of American Art at Altria, New York: ‘Very Powerful Lords’

Pomona College Museum of Art, Claremont: ‘Project Series 16: Mark Bradford’

Further Reading 

Connie Butler, Mark Bradford: Scorched Earth, The Hammer Museum of Art and Prestel Publishing, Los Angeles and Munich 2015.
Clara M. Kim, Doryun Chong, Mark Bradford: Tears of a Tree, Rockbund Art Museum, Shanghai, 2015
Christopher Bedford, Hilton Als, Carol Eliel, Eungie Joo, Mark Bradford: You’re Nobody (til somebody kills you), Yale University Press, New Haven 2010.
Carter E. Foster, Neither New nor Correct: New Work by Mark Bradford, exh. cat., Whitney Museum of American Art, 2007.

Julia Michalska, “Black Art Matters,” The Art Newspaper (Art Basel Daily Edition), 18th June 2015.
Andrew Berardini, “Different Strokes,” ArtForum, 6th June 2015.
Kate Sutton, “Practice Makes Perfect,” ArtForum, 14th March 2015.
Richard Schiff, “Every shiny object wants an infant who will love it,” Art Journal, Spring 2011.
Christopher Knight, “Mark Bradford examines life viewed through today’s technology,” Los Angeles Times, 2nd April 2008.
Jennie Klein, “Performance, post-border art, and urban geography,” Performing Arts Journal, 86, 2007.
Sarah Valdez, “Freestyling,” Art in America, Issue 89, September 2001.
Mary Hull Webster, “Wings of desire and Mark Bradford at the San Francisco Art Institute,” Artweek, Issue 29, April 1998.

Selected Public Collections 
Dallas Museum of Art, Dallas.
Hammer Museum of Art, Los Angeles.
Museum of Modern Art, New York.
The Broad Museum, Los Angeles.
SFMOMA, San Francisco Museum of Modern Art.
Whitney Museum of American Art, New York.